They were sometimes accessorized with large Liberace-style cowboy hats.Ĭolor-blocking and vivid patterns added even more visual flair as bright red pants made for a dizzying contrast with a peak-shouldered canary coat and patches of pale blue. The co-ed collection was staged in front of several fenced-off horses that paid little attention to the clothes, passed waste nonchalantly and sniffed in the opposite direction.ĭesigner Charaf Tajer cared little for the indifferent equine reaction, sending down the runway energetic and enthusiastic looks that harked from the heartland of American rodeos and the Wild West.įlamboyant shirt paneling in camp, pastel hues accompanied stiff, oversized lapels that were a take on the cowboy jacket. Is Green steadily taking the mantle of the late Alexander McQueen?Ĭowgirls and cowboys mingled in Casablanca’s eye-popping show that was notable for its highly unusual set. One DIY look - with a top that seemed to be an upside-down sink with a builder’s ladder on the back - also evoked an armor breastplate. Green blurred the line deftly between art and fashion. Green developed his cutting-edge aesthetic after internships with names such as Walter van Beirendonck and Henrik Vibskov, leading to collaborations with Moncler.ĭangling stirrups, straps, pockets and accessories saw equestrian and fencing wear in pastel shades deconstructed with a transgressive or even an aggressive edge. On Saturday he brought his utilitarian-edged wares from London back to the Paris runway for an inventive, fashion-forward take on uniforms. Louis Vuitton’s sent out a huge board game - something akin to a trendy snakes and ladders - for its invite to a show plunging guests into the creative universe of the late designer Virgil Abloh.įor Dior’s bloom-inspired show, the house sent out flower seeds that one fashion reporter planted and have already produced sprouts.īut surely Loewe’s “invite” was the most bizarre: A limp box of real watercress growing in soil.īritish designer Craig Green, who was appointed a Member of the Order of the British Empire (MBE) by Queen Elizabeth II this year for his contribution to fashion, is one menswear designer who continues to impress. ![]() The little works of art sometimes provide a hint as to what a collection has in store other times, they are just plain wacky. Houses compete to produce the most eye-catching, inventive and flamboyant show invitations, delivered often by gas-guzzling couriers to each guest’s personal or professional address with little thought for the climate. The art of the chic invite is still very much a staple of the luxury industry in Paris. But the piece de resistance must have been the giant mustard toggle shoes that looked like the hooves of a horse but could equally have come from the set of a “Star Wars” planetary village. A white minimalist sweater had surplus sleeves that flapped about limply at the side of the model, on top of white sports leggings and loafers sprouting 10-centimeter (4-inch) clumps of grass.īare chests and legs exposed vulnerability, while hard, square-strap bags slung across the shoulder added a contrasting fierceness. ![]() The organic versus the robotic was explored in Anderson's conceptual designs that were intentionally off-kilter. If we continue, Anderson warned, that world will be destroyed and the only way to see bees will be on video. ![]() The British designer used the remarkable set and concept not only as a springboard for some of the most accomplished designs seen this season, but to make a thoughtful comment about ecology and humanity’s contempt for the natural world.
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